A survey of wealthy individuals conducted by UBS and art economist Clare McAndrew for the report found millennials were buying art more actively and frequently taking to the internet to do so. It found that more of them were willing to shell out big money on art than their older peers. They also provided a boost for female artists. “For a generation that might never own a car, their appetite for buying art is encouraging,” UBS Group Chief Marketing Officer Johan Jervøe told Reuters. “It may be a reflection of the unique and often experiential qualities of art and collectibles as long-term assets.”
Berlin pledges to speed up return of 'ethnological, cultural' holdings to former colonies '
The German culture and foreign ministries as well as regional and local cultural authorities signed a pledge on Wednesday 12 March 2019 committing museums and scientific institutions to completing an inventory on their “ethnology, natural history, art and cultural history holdings” from the colonial era. The aim is to determine which “were acquired in a way that legally or ethnically would no longer be acceptable today” and work toward their restitution. “The priority in this work are the human remains dating from the colonial period” in the late 19th and early 20th centuries, the signatories said. The commitment comes after a study commissioned by French President Emmanuel Macron in November 2018 recommended returning African treasures held by French museums, a radical policy shift seen as putting pressure on other former colonial powers.
" hysicists Higor Y.D. Sigaki, Matjaž Perc and Haroldo V. Ribeiro have come up with a novel way of tracking art’s evolution from Renaissance realism to increasingly abstract avant-garde styles and, most recently, postmodernism. To do so, the trio set out to map the complexity and entropy, or disordered chaos, if you will, of nearly 140,000 paintings created between 1031 and 2016, Scientific American’s Jess Romeo reports. The final data pool spanned more than 2,000 artists and 100 styles. According to Sibylle Anderl of German newspaper Frankfurter Allgemeine Zeitung, the team found that works dating to the 17th century and earlier boasted a level of order unseen in modern art. From 1950 onward, however, artists appeared to return to ordered ideals, embracing clean lines and neat grids to an extent surpassing that of their Renaissance and Romanticism predecessors. The researchers detailed their process in a paper published in the Proceedings of the National Academy of Sciences last September.
For the entirety of his F1 career to date, Daniel Ricciardo’s helmet design has reflected the colours of Red Bull. But with the Australian making the ground-shaking decision to leave the Austrian drinks firm’s racing stable last year and head to Renault for 2019, he’s been able to let his creative juices run wild… On Thursday in Melbourne, Ricciardo showed off a unique pink, green, blue and black paint-job for his 2019 helmet, designed by artist Nicolai Sclater, better known as Ornamental Conifer. Ricciardo’s nickname, Honey Badger, is written on the back, with the rather punchy slogan ‘Stop Being Them’ on the side of the helmet. So, not your usual helmet design. Then again, Ricciardo is not your usual F1 driver….